Friday, March 20, 2020

Romeo - A Character Profile From Romeo and Juliet

Romeo - A Character Profile From Romeo and Juliet One of the original star-crossd lovers, Romeo is the male half of the ill-fated pair who drive the action in Shakespeares Romeo and Juliet. Much has been written about the origins of the character, and the influence Romeo has had on other young male lovers throughout Western literature. But Shakespeares Romeo is an enduring representative of young love gone tragically wrong.   What Happens to Romeo Most interpretations of Romeo and Juliet estimate him to be about 16 years old, and Juliet to be about 13.  The heir of the House of Montague, Romeo meets and falls in love with Juliet, the young daughter of the House of Capulet. For reasons unexplained, the Montagues and Capulets are bitter enemies, so the young lovers know their affair will anger their families.  But the titular couple isnt interested in family feuds, and quickly fall in love.    Romeo and Juliet secretly marry with the help of his friend and confidant, Friar Lawrence. But the two are doomed from the start; after Juliets  cousin Tybalt kills Romeos friend Mercutio; Romeo retaliates, killing Tybalt. He is sent into exile, only returning when he hears of Juliets death. But Juliet has only faked her death unbeknownst to Romeo, who kills himself in a fit of grief. She awakens to find him dead and takes her life, this time for real.   Was Romeos Death Fate? After the young lovers die, the Capulets and Montagues agree to end their feud. Shakespeare leaves it mostly to his audience to decide whether this means that Romeo and Juliets deaths are fated. Could the feud have been ended any other way?   Questions long debated among Shakespearean scholars: Is the outcome of the play the result of bad luck? Or were Romeo and Juliets deaths predestined as part of the legacy of their families feud? Origins of the Romeo Character Most Shakespeare historians trace the origin of the Romeo character back to Greek myth. Ovids Metamorphoses  tells the story of Pyramus and Thisbe, two young lovers in Babylon who lived next to each other and communicated through cracks in the walls, their parents having forbid them meeting because of an ongoing family feud. The similarities to Romeo and Juliet dont end there: When the pair arrange to meet finally, Thisbe arrives at the predetermined spot, a mulberry tree, to find a menacing lioness. She runs away, but accidentally leaves her veil behind. Pyramus finds the veil when he gets there and believes the lioness has killed Thisbe, so he falls on his sword (literally). Thisbe returns and finds him dead, then kills herself with his sword.   While Pyramus and Thisbe may not have been Shakespeares direct source for Romeo and Juliet, it was certainly an influence on the works from which Shakespeare drew. Romeo first appeared in Giulietta e Romeo, a 1530 story by Luigi da Porto, which was itself adapted from Masuccio Salernitanos 1476 work Il Novellino. All of those later works can, in some way or other, trace their origins to Pyramus and Thisbe.

Tuesday, March 3, 2020

Bridget Riley Biography

Bridget Riley Biography Bridget Riley began working in the Op Art movement far before it was named as an official artistic movement. Still, she is best known for her black and white works from the 1960s that helped inspire the new style of contemporary art. It is said that her art was created to make a statement about absolutes. It is coincidental that they are viewed as optical illusions. Early Life Riley was born on April 24, 1931, in London. Her father and grandfather were both printmakers, so art was in her blood. She studied at Cheltenham Ladies College and later art at Goldsmiths College and the Royal College of Art in London. Artistic Style After her early, extensive artistic training, Bridget Riley spent several years casting about for her path. While working as an art teacher, she began exploring the interplay of shape, lines, and light, boiling these elements down to black and white (initially) in order to fully understand them. In 1960, she began working in her signature style - what many refer to today as Op Art, a display of geometric patterns that tricks the eye and produces movement and color. In the decades since, she has experimented with different mediums (and color, which can be seen in works like 1990s Shadow Play), mastered the art of printmaking, moved through differently shaped themes, and introduced color to her paintings. Her meticulous, methodical discipline is phenomenal. Important Works Movement in Squares, 1961Fall, 1963Dominance Portfolio (Red, Blue and Green) (series), 1977Ra2, 1981Conversation, 1993